From Aisndale to Southport completed the Sefton Coast path on day four and saw a full complement join us for another day of learning, talking, discussing and listening.
The second leg of the ‘Walking Through the Sands of Time’ saw us all move from Hightown to Freshfield. Just images of the group this time, the format of the walks remains the same. I’m slowly beginning to see themes developing and what the walks are meaning to me. I’ll post about them later.
Filming with Shauna Lowry for Countryfile.
Tomorrow 7.00pm. (more later)
Just back from the North West after doing a small piece for BBC Countryfile (more on that later) and managed a few day out with the camera and collecting more material for the WALK project in the summer. This first post concentrates on a few hours I spent with the tree sparrows at Martin Mere and the decline of the sparrows of this country.
Another recent wader encountered whilst out with the geese was the ruff. Five birds spent a good half hour picking up the swan feed towards dusk and it was interesting to note the very different stages of plumage from wintering adults to juvenile birds. It’s the leg colour that varies more than anything and is pretty well emphasised in these images.
Back to Islay and the geese. The aim was to place them in a wider context and I was fortunate that the weather was with me (seems like it’s not been very good since then). The mornings were superb and straight out of the van I was able to work with a perfect backdrop and the geese coming over the waters of Loch Indal. Trying to work them together is not such an easy task, focusing is all against you and the focusing spot had to be continually adjusted.
The last post from the Mersey looked mainly at the physical power of the water as the high tide reached its peak, but I was very much aware of a developing narrative that involved not just the waves and surges but people and the wider context in which I was experiencing the event.