Quick Tip 8: Graduated Neutral Density Filters – An Essential

Sky held with a 0.6 Graduated Neutral Density filter
Sky held with a 0.6 Graduated Neutral Density filter

One of the most difficult things in photography is dealing with the wide exposure range that exists in many scenes.

Holding foreground information becomes far easier - ND 0.6
Holding foreground information becomes far easier - Graduated ND 0.6

Often to expose the foreground correctly means sacrificing detail in the sky. By simply using a graduated neutral density filter you can maintain foreground detail and hold the sky for a balanced and much more accurate rendition of the landscape.

Simply expose for the foreground and bring in the neutral density filter to cover the sky area. A soft gradation is better for landscape work. I use the Lee Filter System and carry three soft grads; 0.3 – 0.6 and 0.9. The 0.3 giving a one stop reduction, the 0.6 a two stop reduction and the 0.9 a three stop reduction. With step up rings for various lenses you are only ever buying one set of filters for all your equipment!

These filters will make more difference to your work than any amount of time messing around in Photoshop. You can also use them as full ND filters and start experimenting with long time exposures. They’re the first on any list after you’ve bought the camera!

ND's work just as well for heavier skies - 0.6 used here
ND's work just as well for heavier skies - 0.6 used here
ND 0.6 Grad
ND 0.6 Grad
Detail is held in all parts of the image - 0.6
Detail is held in all parts of the image - 0.6
Holding skies when the sun is within the image becomes possible - 0.9
Holding skies when the sun is within the image becomes possible - 0.9
Used as a full ND (without the grad) long exposures are possible - 0.9 - 13 seconds f29
Used as a full ND (without the grad) long exposures are possible - 0.9 - 13 seconds f29
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